http://www.madelinefwall.com/home daily 1.0 2024-03-11 https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1602225147069-DICY1C1Q8UTSE9GU70PT/MV5BOThhZWQ1MzAtMTMwMC00MmI5LWIwZjMtM2ZjNTMxZjk2Nzk3XkEyXkFqcGdeQXVyMjQ3NjgxMTU%40._V1_.jpg Home - Joan Didion: The Center Will Not Hold Directed by Griffin Dunne Set Dressing by Madeline Wall https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1602288602626-E2V6JOZYPVDTA0YZH27L/image.jpg Home - KODACHROME Written By Adam Szymkowicz Directed by Daniella Caggiano Set and Prop Design by Madeline Wall Produced by The Lee Strasberg Theatre and Film Institute https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1602224698642-IXSA78W3I9JYECJPXJTN/MV5BZGNkYWM3MzItYmI3YS00OTdiLWFlYTUtOTg0OGI4YWFmNjkwXkEyXkFqcGdeQXVyMjM5MjkzNDA%40._V1_SY1000_SX635_AL_.jpg Home - a Nightmare Wakes Directed by Nora Unkel Cinematography by Oren Soffer Production Design by Madeline Wall https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1602232575222-S6G4YI4STI90TTURNWPL/MV5BOGJlMjRkYmUtYmFiNC00ZTUyLTkyMTctZGJkNTljYTY0M2QwXkEyXkFqcGdeQXVyNjc5NDIxMTM%40._V1_SY1000_CR0%2C0%2C778%2C1000_AL_.jpg Home - Geez Louise Directed by Mary Kerrigan Cinematography by Leo Purman Production Design by Madeline Wall CLICK TO WATCH THE FILM https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1602232635774-5CXDT3HJ3DJOIWPURNPL/MV5BYjIyODhiODEtYWE0OS00MDkzLWE1MzUtMjBlZTlhZGQxODk4XkEyXkFqcGdeQXVyNzQ5NjQ3MQ%40%40._V1_SY1000_CR0%2C0%2C777%2C1000_AL_.jpg Home - Girl Talk Directed by Erica Rose Cinematography by Daisy Zhou Production Design and Costume Design by Madeline Wall CLICK TO WATCH THE FILM https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1602288551912-85DHP2PJJ5V9M34DPFUU/ITKAccess2.jpg Home - In The Kitchen Written and Performed by Hannah Goldman Directed by Coral Cohen Design and Technical Direction by Madeline Wall Production Design Consultant Derya Celikkol Produced by Experimental Bitch Presents https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1603341275220-6EAZQ6KCHEOBDA9QVMYZ/AT+office+-+circle+with+illustration Home Madeline is an award-winning designer based in Brooklyn, NY. She has experience working as a head designer, art director, fabricator, and set dresser. She is available for design work in short film, feature-length film, documentary, commercial, as well as theatre and event design. Will travel. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1602224537170-DJTDPK023O4X8CWYR6FF/image-asset.jpeg Home - Will Be Boys Directed By Brit Bucklee Cinematography by Armaan Virani Production Design and Costume Design by Madeline Wall https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1602225912986-8JH8RQOTL1IHNFTWS3P1/MV5BYzA4MzZhNWQtMmVlYS00MGM2LTk1NTktM2IxZmJmYmRjMDZkXkEyXkFqcGdeQXVyNTQyNDAxNjU%40._V1_SY1000_CR0%2C0%2C772%2C1000_AL_.jpg Home - Girl in the Chair WINNER: Excellence in Production Design - First Run Film Festival 2015 Directed By M. Louis Gordon Cinematography by Marc Katz Production Design and Costume Design by Madeline Wall CLICK TO WATCH THE FILM https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1602288724626-L91LH429TY29R8BII2G7/WhatOfTheNight-854-1024x683.jpg Home - What of the Night Written by María Irene Fornés Directed by Leah Reddy Set and Prop Design by Madeline Wall Produced by The Lee Strasberg Theatre and Film Institute https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1580359607688-5MPNCWF4AHO2GBLSAZA8/DiqnPljXcAAaQJ1.jpg Home The cast had one look for the entire show. They were all in head-to-toe shades of white, grey, and blue. There was no prop table as hidden pockets, necklaces, belts, and satchels hid away all the colorful props and costume pieces they needed to transform into the characters of Neverland. Photo by Jeremy Amar. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1580359706971-CHAG0VNMESJRTP6IE96M/_DSC4950.jpg Home Wendy wore a vintage lace bodice. It was sized up and reinforced so the delicate lace could survive all the physical stunts she performs. Photo by Jeremy Amar. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1580359687166-2AR00CUXXVUSN0BFG9K9/_DSC4951.jpg Home Pan was the one cast member in color. The text describes his wardrobe as: “In so far as he is dressed at all, it is in autumn leaves and cobwebs.” Photo by Jeremy Amar. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1602228315460-KHS6EWV9BDQJNE1MLO4T/_DSC4882.jpg Home Tiger Lily was just that, a Tiger Lily flower. Her skirt wrapped-open to reveal hand-painted orange petals and green leaves. The over-skirt could be rewrapped to return her to her basic whites without her having to set down any clothing. Photo by Jeremy Amar. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1580359762304-GFCKDBP9K4UQ9SKLCFD9/_DSC4742.jpg Home The cast combined physicality and costume pieces to become this ragtag team of marauding pirates. A dog bowl got flipped to be worn as a hat, sleeves and pant-legs are pulled up to reveal tattoo-illusion sleeves, and a feather cape is flipped to reveal a shoulder parrot underneath. Photo by Jeremy Amar. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1580359877341-XE1MFDUC2HVZ97IWI2LX/_DSC4693.jpg Home The lost boys are described as “in the skins of animals they think they have shot, and so round and furry in them that if they fall they roll.” Photo by Jeremy Amar. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1603149295513-BIC5M5RZ53EPCL3BEMEB/1-1-1-1024x683.jpg Home With a massive cast, The Drowsy Chaperone intentionally leans on archetypes and nostalgia to help the audience distinguish characters and navigate the hijinks of the plot. Each look was developed with the director and actors and each character had an exclusive color. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1603149295548-2ITYXNJID85ARL6QAZD3/1-3-1024x683.jpg Home Props and accessaries were an essential part of the looks. Here, an overworked producer smokes two cigarettes and wears an art deco tie as a symbol of his wealth. His clingy girlfriend wears sequins, bright pink, and a sky-high feather headband that wobbles around with every move she makes, emphasizing her manic energy. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1603149296159-XHCB5G7HSYA202M3RJ3A/1-5-1024x683.jpg Home These characters are gangsters disguised as pastry chefs, á la Anything Goes. We decided to go literal with the hat-on-a-hat gag and put aprons and chef’s hats over their three-piece-suits and fedoras. A woman plays one of the men in an oversized mustache that was attached to her ears with elastic. The two got laughs every time they entered. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1603149297499-B6ODD4CXLHFE5RJ3SBZY/1-8-1024x683.jpg Home One of the biggest challenges of low-budget productions is when you need characters to match. Here the servant characters are unified by black and white ensembles with mint-green details that erase any inconsistencies between them. The women’s collars were hand dyed to match the men’s bow-ties. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1603149297620-W4V7UDZMB64068P3BZEG/1NrnIo2_QPg85bcTyg4OLdTudZNz4NvM_U8Cr_t5dHx2lph-IoE_z_t2ZZVuKC8ajC9njdqMSd8w2560-h1204-1-1024x683.jpg Home Even though the story only takes place over the course of one day, the leading lady was in a different flapper-girl look in every scene. Her headband was kept neutral so it could carry each look and compliment her hair color. The ensemble members play reporters here, using high-contrast black and white to unify them, and props to clarify their roles. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1603149298344-Z3YE1DW34I018FZU9B9A/weNBjYdgTCkusmGvLKzd_ScUsrQouG5BaQfIkoeALsCOfO8-k5kFh_GwpB4AwxOeKQ1BrbGEAAow2560-h1204-1024x683.jpg Home Here an older woman character is distinguished by “costume-y” grey streaks in her hair, a spy glass, and an out-of-date 1910’s ensemble. Her jewelry displays her wealth, and her green under-layer matches her servants’ green accessories. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1580356634160-WXJKTF2LEPON8GNI4T6L/180521_Diana_Here_800.jpg Home Set in the mid 90’s the three male characters all wore business casual. Details like ties, colors, and the fit of their clothes hint at their distinct classes and senses of self. Photo by Pablo Calderón-Santiago. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1580356450195-2ZSQF0NOUFFJ9ILB7WBT/180521_Diana_Here_023.jpg Home The character of Princess Diana presented a unique costuming challenge because her wardrobe is so widely recognized. In her introductory look, seen here, she wears ultra-casual jogging clothes. High-end details. like the Adidas socks, sunglasses and the metallic-detailed jacket hint at the costumes’ conspicuous luxury. Photo by Pablo Calderón-Santiago. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1580356603341-KNB0TPDE94UGTSP1ET0G/180521_Diana_Here_573.jpg Home Diana Tapes takes place over the course of several years. Jackets, ties, and coats allowed the costumes to transform throughout the scenes. Photo by Pablo Calderón-Santiago. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1580357566302-6QVIMVF717XCKY8CPG7O/180521_Diana_Here_668.jpg Home Here, Diana arrives as if straight from an event. She’s wearing a fitted satin gown with train and custom jeweled straps. The look is completed with a pearl bracelet, a recreation of the Cambridge Lover's Knot Tiara, and recreations of the Emir of Qatar earrings. She also has on her wedding ring, and recreation of the sapphire engagement ring. Photo by Pablo Calderón-Santiago. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1580356493380-QL2QYYKWH2WEOW2YEQVE/180521_Diana_Here_194.jpg Home This dress, like all of Diana’s looks, were thrifted. The accessibility of items that emulated Diana’s wardrobe just further proved her influence on all tiers of fashion. Photo by Pablo Calderón-Santiago. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1580356691098-0XXVG2LWHZFQB0H8SULY/180521_Diana_Here_384.jpg Home In the final sequence, Diana transforms into her post-separation-self. We played with many decadent looks but this simplistic black velvet dress with criss-cross straps felt the most true to her later style choices. The Seven-Strand Diamond and Sapphire Pearl Choker was custom-made. Photo by Pablo Calderón-Santiago. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1580361311256-JUX63GFNTJTPSWAVKB56/20190530_Jack_of_Cups_Final_Batch_Hi_Res-0320.jpg Home This wordless character dances through the nested stories that make up the play. Her costume was optimized for movement. Big wrap-around pants with a fringe skirt and silk-chiffon ribbons moved wildly with her. All the pieces of the costume were natural fabric and hand-dyed to suggest the de-industrialized future. Photos by Emily Hewitt. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1580361414508-ZPW8MZPXF960BAEHZTA6/20190530_Jack_of_Cups_Hi_Res_Batch_1-9809.jpg Home This zero-dollar costume includes elements of folk beading and practical linen. The air plant growing from their pocket and gardening gloves, suggests a close kinship with plants. Photos by Emily Hewitt. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1560232386989-2HNPKBBGU66C8GWU9QOI/unspecified2.jpg Home Two full length dresses were bought and fitted to the performers. Then they were ripped, gathered, and dip-dyed green to create these unique looks. The long sleeve dress (center) was made out scrap fabric and a thrifted shirt. Photo credit: Matthew Echelman https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1568757849008-MMI2LPBSC5G61TNIDZ9E/dj_knuQ5S9TNSvZEYTpkKMbzRtf0DTB6d8IpkRvE6Vo%2C2bk7RFXalkSDNyvLttdibX7yzJDs0AjBbnxpzLMkThg%2Chh4Yk--2AnHE-wM9II8Uawjd1v_7lKsMtOMPY2c3M-c%2C3nI0dapKVMEgQj6do5kiZs29tvTg2h1TLrm_aZcHK7k%2CLxoj2w8KY-fsUgw1dT0jTawtG4ROLxbodt81IHeFGm.jpg Home Here the fairies gather round Titania, also in a long flowing green dress. Photo credit: Matthew Echelman https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1568758006002-999KOKF4MVBEDV0LXDPC/unspecified5.jpeg Home Here the character Nick Bottom wears a donkey head crossed with a modern baseball cap. Photo credit: Matthew Echelman https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1560290418693-8A6RVBSJGB4A3LESF28Z/Yard1.png Home This mother figure was a symbol of classic femininity. Her dress was tailored on set and paired with two petticoats, a girdle, seamed stockings, and recreation 1950’s shoes. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1560290418829-8KJG9Z0Q6OJ93EIK9NS4/Angel4.png Home A dream project, the character pictured takes her old Communion dress and transforms it into a angel costume. The final piece had to look magical but also, believably made by a child. Detachable underskirts also allowed the actor to rip the skirt multiple times on camera. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1560290416855-3IJEQ3XVE14DCR6Q979Z/Bedroom3.png Home This vintage nightgown was not as full and flowy as desired for the final dance sequence. So the skirt was detached, and used to pattern new fuller pieces. The new fabric was washed, and whitewashed to better match the texture of the original fabric. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1560290418311-TMSOS2DHAFZCJAXJP7G8/Bedroom4.png Home This uniform costume was the product of a very specific vision from the director. The green jumper was dyed to make its color softer. Yellow ribbon was added to the collar and sleeves of the undershirt. Finally, the director's own black and white oxford shoes were painted green to match. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1560288752440-YARZQV1XJUCNEPTFCOGM/Jenny+Catlow+at+2.08.17+AM.png Home This feminine-focused and dream-like production of MacBeth had a unique visual vocabulary. Mesh, satin, and light colors stood as symbols of wealth and high-status. Here Queen Duncan wears all white and pink with a crown of white tulle. Photo by Jenny Catlow. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1560288752582-34BN141QRPVYWGAIH7A1/Jenny+Catlow+at+2.08.39+AM.png Home Here MacBeth and Banquo, coming directly from war, wear quilted and mesh armor styled after chainmail and fencing armor. Photo by Jenny Catlow. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1560288757947-M4CRDP5N48P9YGCGLK94/Jenny+Catlow+at+2.11.49+AM.png Home After Lady MacBeth calls on the spirits to “unsex her“ this production had the actors playing MacBeth and Lady MacBeth switch roles. Here you can see a masculine-bodied Queen Lady MacBeth at the banquet table. Photo by Jenny Catlow. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1560291289008-6FUI1XC9FXTCCDXYEPS4/GITC+-+Wardrobe+03.png Home A white leotard served as the base of this fantasy dress. A thick band of cut-work lace was cut and pintucked to create the top. The underskirt was made out of a recycled white bed sheet. The top skirt was made out of three circles of silk chiffon. The entire piece was dyed with beets to create an organic-looking pink color. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1560291380366-H0RY73UD9MG1SFFLXF1Y/GITC+-+Wardrobe+05.png Home The green dress worn by the mother character was a very lucky thrift store find. The only thing we wanted to change was its huge white bib collar. So the collar was removed, reshaped, and reattached. Finally a pansy pin at the neck completed the surreal, era-less costume. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1568758274935-T41Y7ZIDU6SSXFMHMIFG/AT3+-+Apt+05.png Home This pivotal scene called for very specific wardrobe: a red robe, with a black and blue lining. A thrifted silk white robe was dyed red using wax to preserve the color of its embroidery. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1560291464585-FDRRUZM01OQ9IVMBNEAX/AT3+-+Apt+06.png Home The same robe as above worn inside-out, showing its custom black and blue lining. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1603148860675-AI9J2W246934V6B8OHYU/MV5BOWU4OGRmNzAtMDg5MC00ZmE1LWE0NzctMzE0NTQzNjYxY2JlXkEyXkFqcGdeQXVyNTYwODQ3MDQ%40._V1_SX1777_CR0%2C0%2C1777%2C999_AL_.jpg Home https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1681755822333-HSCB5QU7KVC2843IQ630/43F4C9E9-F02D-42D4-81F7-632FC09CDAA1.jpeg Home The supportive Delta Nus cheer Elle on in pink cheer and marching band uniforms. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1681755823918-SM9TLND5IJIDXX4XJ9OK/0CA65D1D-6E18-40E2-A8BC-0E4BBE7FF4A6.jpeg Home The Delta Nus dressed in a rainbow of neon colors. No red or browns in sight as a contrast to the Harvard characters. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1681756634014-RNXT67E95XRW48VVDUEW/0B605552-E7CA-49F9-B0D1-B499EBBA24DA.jpeg Home Ensemble members playing Harvard students wore grungy autumnal colors. Warner wore cold blues and greys and black was reserved for Vivian as a way to distinguish the love triangle characters. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1681756634041-GGHKE4J91P71Y3HRWTEV/1C44732A-E023-42D7-BC1F-5EB16B71B6F8.jpeg Home Paulette and her crush “The UPS Guy” in a contrast of funky colors and the iconic brown UPS uniform. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1681756634769-DM3PE4DS8HP264REB3RW/9F699124-B6BF-4363-AB77-8D82ABD12C20.jpeg Home The Delta Nus appear to Elle in a fantasy as greek goddesses in white and gold. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1681756686184-79XLSU076VY36DU4ZVS0/7CCFF811-D8AE-4878-BFE2-2ADB9EBC4919.jpeg Home For the finale, the entire cast was unified in graduation robes and pink stoles. Elle wears head to toe pink. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1560289512434-Q6OH731MQHYFT8BKCDH5/IMG_9568.jpg Home The Everest of costume design, most costumes had to be rigged with snaps and magnets to allow for seconds-long costume changes. But more importantly, all of them had to be show-stopping. With an extremely limited budget, we relied on found-objects for some of the looks. Here, for the Act One Finale, “I Will Survive,“ the three leads are in massive headdresses made of fake flowers, kitchen-wear and sponges, all mounted onto bike helmets. Photo by Jeremy Amar. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1560289464614-IQFOOC1OJA2GVKELG0D2/IMG_9423.jpg Home This production had a 15-person cast and 142 costume looks. Here the chorus is dressed as colorful cowboys for “Go West.“ Later the same actors would play actual Westerners in subdued flannels and jeans. Photo by Jeremy Amar. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1560289214241-KEQ6DA1POB9L7VSR7BGW/IMG_9966.jpg Home The three “Divas” had almost matching looks inspired by nightclub singers. Three bridesmaid dresses were pulled from stock, dyed a deep purple, and then long sparkly skirts were attached. Photo by Jeremy Amar. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1568757525005-CYEN2IXC63CL8ILB53FC/IMG_9669.jpg Home These cheerleader costumes were paired with custom wigs made of plastic ribbon. The pigtails could be ripped off and used as pom-poms. Photo by Jeremy Amar. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1560289440509-FN32KG3RC6MQ2MGJHTGJ/IMG_9885.jpg Home For the final show number the three leads were in hilarious-looking disco ball dresses with silver cloche hats. Halfway through the song, the disco balls unzipped to reveal massive ball gowns in red, pink, and gold. In this photo you can also catch a glimpse of their heels which were painted a psychedelic rainbow print so that they could match every outfit. Photo by Jeremy Amar. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1560289367104-TUM2G7ITUY26Q2WXZNFO/IMG_9957.jpg Home For the finale we created these showgirl looks covered in sequins and feathers. Photo by Jeremy Amar. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1568747585791-CQM3V9M5H73IVV04S462/image-asset.png Home Deliciously 80's, this green screen shoot looked to films like Star Wars, Blade Runner, Dune, and Mad Max. The costumes were mostly pulled from the personal collections of the cast and crew. Silver Sound's own equipment was re-purposed into belts and accessories. Watch the full ad here. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1560291040373-9ZIR6OK3G5ZV1FWLUUDO/House+01.png Home These three brothers were costumed to emphasize their extremely unique personalities. But they all had to look like they were from the same (undefined) era. Each costume was bought in multiples so they could be dirtied and bloodied for various scenes throughout the film. They each also had a nearly identical version of their costume in black for a funeral scene. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1560291040683-BRWG1PTVRCZ0TUI3MRL3/karkasskarts+Klan+01.jpg Home The script called for twenty Klu Klux Klan robes and hoods. The robes were, unsurprisingly, a hard item to source. So each robe was patterned and sewn in a variety of sizes out of thrifted bed sheets and scrap fabric. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1560291040176-FD79M1E6UGGK9Z2IF4IE/Embalming+Room+03.png Home The sheriff and her assistant sheriff were costumed to look like timeless authority figures, complete with a silver "sheriff" badge. Unable to source authentic-looking cowboy hats in New York, the wicker hats were a generous loan from our hosts while filming in Tennesee. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1603341218694-0VRCLY3ZXZ401ICV20T1/Peter+Pan+detail+-+circle+with+illustration Home Madeline has experience in just about every area of costuming and working with textiles: from styling, fitting actors, sourcing materials, pattern making, draping, machine and hand sewing, all the way to weaving, embroidery, ribbon embroidery, knitting, free-motion machine quilting, distressing, painting, dyeing, and restoration. Madeline prides themselves on size-inclusivity, extreme organization, and being able to work within any budget constraints. As you click through the galleries, the white dot below each image gives more information about how these costumes were sourced and made as well as the intention behind each costume. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1580362351469-F29OVRMLWH8UTLUXOVQE/DSC_3300.JPG Home Themes of 90’s nostalgia and class drove this production of Shakespeare’s The Tempest. The royal court dresses in Versace-inspired prints a la The Nanny or Fresh Prince of Bel Air. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1580362315628-YZWRZRD261W7X1DC3897/DSC_1904.JPG Home Here Caliban is dressed in a colorful T-shirt covered in logos, planted on him by Prospero. The pants are imagined to be fashioned from a ship’s sail. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1580362322643-565YCC2JBZ86BDEOYWZ2/DSC_2543-1.JPG Home The royal court member’s wealth and status is distinguished by bold color, metallics, and prints inspired by classic Greek and Roman imagery. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1580362362213-LVLEVMHAZQDO63PBBMD9/DSC_3400.JPG Home On the left, Miranda wears clothing made from a patchwork of children’s clothes. The idea being she has had to expand her wardrobe over the 13 years she has lived shipwrecked. She also wears a custom necklace made of shells and broken jewelry. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1580362342465-NCIHD65HIZG3QFHXE2BX/DSC_3209.JPG Home These bold leggings were custom painted and finished with a large metallic belt. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1580362385719-KT56VAZ52Z1H6FSWPG4S/IMG_3479.jpg Home Here, Ariel looks on in a Lizzie McGuire inspired costume. Her top has been dyed light pink. Her jeans and top have been customized with thrifted embroidered patches. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1560311139461-ASAYSAGXA1VHPIN1SNGN/Screen+Shot+2015-06-18+at+12.51.50+PM.png Home The large cast of dancers were styled to look like a cohesive gang. Each performer brought in their own pieces and the minimal budget was put towards thrifting elements like jean jackets and distressed jeans. Artist Hannah Schultz also created custom tshirts printed with splattered gold foil. The artist RESH brought in his own leather jacket so it could be covered with silver studs. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1560311154692-JM3LANXB0EAUM1Z7DCLV/Screen+Shot+2015-06-18+at+12.54.43+PM.png Home When RESH's character is killed he bleeds luxurious red silk. 20 feet of fabric had to be concealed under his white tshirt. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1560290887008-5Y4B79L0XEPZB10X82FN/Screen+Shot+2015-06-18+at+12.56.54+PM.png Home For the climax of Boys Cry More, this red bomber jacket was customized with a one-of-a-kind letter "R" and covered in gold studs. The soles of RESH's red converse are also hand foiled in gold. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/270ac382-0204-4bb0-aff1-def80ada7e94/0FA9E7D4-AFFB-4A87-8BF1-7F93F4990D8D.jpg Home - Charlotte LuCAS IS TWENTY-SEVEN AND NOT DEAD Piper Theatre Mainstage at Mercury Store https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1602234464969-MJK2PMDL5LQO0BNHTDKA/IMG_7601.jpg Home - She Said Workshop at the Old Stone House Audio Play at Edinburgh Fringe Festival Workshop at Musical Theatre Factory https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1602235897022-5XAKUEM4IFH8CLX3QGDW/Screen%2BShot%2B2017-01-22%2Bat%2B10.46.28%2BPM.jpg Home - A Dancer’s Body Short Film, produced through the Maurice Kanbar Institute of Film and Television https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1602235678558-52PQG5LFE0ZN46AA8QR5/IMG_0608+copy.jpg Home - Measure for Measure Workshop produced by Experimental Bitch Presents https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1602235474322-UJJSY1KN18PAFNG68MWG/Screen+Shot+2019-10-30+at+4.25.08+AM.png Home - Mima Good’s Everytime Mima Good Music Video https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/ce42e020-3112-457c-8a70-c5b6c945b196/265F8435-AC42-4D92-949D-2FCFCC7914F8.jpeg Home Maddie is a professional director with a BFA in Film and Television at NYU’s Tisch School of the Arts. They specialize in handmade-epics that walk the line between intimately personal and sweeping. . Behind the scenes they are committed to radically consent-driven art-making. Cohesive storytelling can only be achieved when everyone involved is aware of what they’re creating and what is expected of them. . They have experience directing films and music videos as well as various tiers of theatre, including Shakespeare, musicals, and new work. https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/8486b281-2e19-43b7-b1bf-60c6bf04ae51/46B988F1-C82A-4133-8EB2-83D83BC9C674.jpeg Home - The Last Ibex The Tank https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1602235604384-K9NSLZLU56CAXDJPKKEU/Screen+Shot+2019-06-11+at+5.02.29+AM.png Home - JACK OF CUPS Play at The Flea Theatre https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1602235796161-057GMQ70C7HL7FT8I7WD/IMG_3982.JPG Home - The Extraordinary Fall of the Four-Legged Woman Musical at the Frigid NYC Festival New York Fringe Festival Encore Festival https://images.squarespace-cdn.com/content/v1/54caedcfe4b0ea8f9601aa52/1560238343127-4HC3KCPEH0W5BFRZ94WR/Angel2.png Home 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